Enter the Green Lantern. You can see Alan instantly take control over the group, giving Kendra the support that she needs to excel. However, Robinson makes sure that we remember that Alan is still reeling from the train crash and Sam's death and that he's still struggling to learn how to use his powers since he, too, gained them about five minutes ago. His failure to create a construct couldn't have come at a worse moment, as he was facing Grundy at the time. Thankfully, the Atom arrived in the nick of time to take out Grundy, and it's here that Robinson really turns up the mystery. Hawkgirl recognizes the Atom and seems to have been part of the same military program as he is. Why did she escape? Was she not a soldier but dragooned into participating in the program? Why is the World Army collecting superheroes but not using them? Robinson leaves us wanting more at the end of this issue. Will Alan and Jay fight Pratt? Will Grundy re-appear?
This title continues to be the most original of the New 52. The last two issues haven't reached the same heights as the first two, but Robinson is moving through a lot of plot material and character development, so I don't expect the same level of emotion and wit every issue. I have hope that, when the dust settles and the basic parameters of the title are established, Robinson will have more time to focus on scripting interactions like we see here between Jay and Kendra, making us feel the connections between the characters more than we have in the last two issues. I'm also hoping that we start to get a better sense of how the world is coping with the aftermath of the Apokolips war. We saw hints of it in the first two issues, and I'm hoping that we return to it soon. All in all, though, this title continues to up the ante for the rest of the New 52 line.
Superboy #12: I like Tom DeFalco. Tom DeFalco wrote some of the best issues of "Amazing Spider-Man." But, something happened to him along the way to "Superboy," because, man, some of the moments in this issue were groan-inducing. Whereas James Robinson has Alan Scott serving as the inspiring hero of Earth 2, DeFalco reduces Bunker to nothing more than gay stereotypes: nervous fretter, celebrity obsessive, shopping queen. But, in addition, he wants us to believe that Kon is going to understand what it's like to be a "real person" by spending time with the DCnU's verison of Paris Hilton and her friends, the multimillionaire playboy and the NBA player. Even Kon himself is wealthy, thanks to robbing a bank. "I toss a handful of hundreds on the table[.]" Really?
Beyond the simplistic characterizations and questionable plots, Kon's narration is also painful. "Thanks to her particular eau d'menace, my T.K. has no trouble finding Miss Tall, Dark and Spooky!" Really? "Eau d'menace?" "Miss Tall, Dark, and Spooky?" Then we have the detective friend reappear declaring, "It's time for Detective Jocelyn Lur to become your teacher -- or your executioner." REALLY?
In theory, I'm pretty sure that DeFalco meant for this issue to be a new chapter in "Superboy," representing Kon going into the world and starting to find a group of friends and, probably, a group of adversaries. But, DeFalco does nothing to make me care about anyone in this issue, instead making me just hope that the bad narration and awful monologuing would end. I think I'm done.
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