Showing posts with label Geiger (2024). Show all posts
Showing posts with label Geiger (2024). Show all posts

Tuesday, December 17, 2024

Seven-Month-Old Comics!: The May 8 Top-Shelf Edition - Part One (HERE BE SPOILERS!)

The Boy Wonder #1:  I'm glad I put this issue on my top-shelf list, because it's as good as everyone says.  Ba uses a framing device in which Damian tells a story to a thief who's taken him hostage, because he feels like the guy could use a minute.  

The story involves him going on his first solo adventure.  Well, it's actually his second solo adventure.  On his first one, Damian cut off the perp's head and, seeing the horror on Batman's face when he found him, realizes that he doesn't fit into the Family.  But Damian hears of a demon plaguing Undersell and, while Bruce is outside Gotham on a mission, figures that he's the right Family member to stop it since he's a demon, too.  

Of course, Alfred is nothing if not observant and sends a married Dick and Barbara to watch over Damian who's furious.  They confront the "demons," but it turns out Clayface was posing as them to throw the cops off his trail.  Damian leaps into the fray too quickly and has to watch as Dick and Barbara take down Clayface.  After the battle, Damian watches Dick kiss Barbara and realizes that both he and his father lack this trait that Dick has:  love.  Dick also tells Damian that they're not just there to beat up bad guys but to help their victims, too.  

Damian heads into the night and stops a mugging.  Remembering Dick's words, he helps the older woman to his feet as an enormously proud Dick watches from the rooftops.  Damian is also pleased with himself but then hears the woman scream again as a demon grabs her and escapes.  Damian narrates that he now needs a hunter, so we're seeing Jason next issue. 

Again, it's just great.  It isn't morose, but it isn't fluff, and the art is spectacular.  I highly recommend.

Crocodile Black #1:  I loved Johnson's "The Last God," and I was excited to jump on here.  I read the issue twice, and Johnson manages to tell us what the point of the story is without giving away the farm, so I'm excited to see where we go.

In May 2021, someone brutally kills a "security guard" (think "Mafia don's henchman") on the ground floor of a house.  Before the killer murders him, the second guard recognizes the killer and tells him the don is upstairs.  The killer still crashes a potted plan on his head.

A month earlier, teenager Danny is listening to a movie while drawing in a sketchbook when the parental controls end his movie.  He exits his room, and his mom is overly enthusiastic in greeting him.  His older sister, Jess, invites him to watch a movie; Danny says she doesn't have to do so (as a red squiggly figure appears on the floor between them), and Jess says she wants to do it.  He agrees and prepares to leave for his job delivering groceries.  Danny's mom tells him that she wants him to follow the rules so he can "move up" and tells him to say good-bye to his father before he leaves.  Danny replies that his father is working and leaves.

On the job, Danny is talking to his therapist, complaining about his parents being "up in my shit all the time."  The therapist exposits that Danny has an obsessive disorder and they have to use things like parental controls to keep his escapism in check.  Danny tells his therapist that his favorite part of his job is wearing his mask when no one else is because he can be anyone he wants under there.  The therapist is rightfully disturbed by that comment.  He asks about his sketchbook and the last time he saw Matty, and we now see that the red squiggly guy is a doodle of a little boy with a cap sitting in Danny's backseat.

Dan arrives at a house with a delivery for Leo Black, and he's disturbed when he finds the house is largely abandoned.  Danny walks through the house looking for someone and eventually finds an old man dead in a chair.  Danny notices the man's black crocodile shoes and then calls 9-1-1.  After reporting the guy needing medical attention, Danny steals Black's still burning cigarette and wallet.

At dinner that night, Danny's mom asks about work, and Danny imagines his face in one of the shoes.  (It's weird.)  His sister comments on his ominous chuckle, but his clueless mom asks if it means he's making friends.  His mom hopes he'll get a better "score" and, OMG, this woman is clueless.  Danny then sees himself eating his spaghetti from the shoe when his dad asks if he did any drawing at work.  Everyone loses their shit.  Danny asks if his dad has been searching his room again, and his dad delivers an answer that confirms he's a dick:  "It's my house."  OMG, fuck you, dude.  

Danny reminds him that those drawings are from his sessions, and his father asks why Matty is on a tricycle.  Danny again reminds him that he said he couldn't go in his room again, and his father gleefully antagonizes him, saying that Danny claimed he couldn't remember anything so why is Matty on a tricycle.  (Clearly something traumatic happened here.)  Danny again tells him not to go through his shit, and Danny's father again says, "Or what?  It's my house."  Danny starts to leave, and Jess tries to stop him.  Danny's dad continues, saying he can answer the question given his brother "apparently vanished into thin fucking---"

Danny throws his plate at him, and his father comments, "Struck a nerve, huh?"  (I want this man to die alone and in pain.)  Danny's mom tells Danny's dad to shut his mouth, but Danny's dad says that it's good, they can see who he really is under there.  To this point, Danny begins to imagine a crocodile.  Danny leaves as his father insists he'll return and Jess stands in the doorstep asking him not to go.

One month later, Detective Trivosonno, or Triv, is investigating a crime scene, namely the one that started the issue.  In the past, we see Danny entering Leo's house and taking the crocodile shoes off his body.  (I think Danny returned to the house after the argument, but I'm not really sure.  After all, he called 9-1-1, so presumably they would've taken the body by the time Danny could return.  So maybe he did it when he initially found the body?)  Triv says that the boot prints are everywhere, which usually means that the perp wants to get caught.  But, here, Triv wonders if they're watching someone finding his calling.

In other words, it's creepy as fuck and I guess I'm totally rooting for a serial killer?  (It's certainly the month for that...)

Energon Universe 2024 Special #1:  Ho boy, the team really delivers here.

The "Transformers" story is spectacular, everything we've come to expect of Johnson.  It's like he knew we could go exactly this long, and not a moment longer, without Megatron, so he gets him in the game here.  In the familiar fight aboard the Ark that precedes the Transformers' arrival on earth, we see him monologuing and rampaging as he's wont to do.  He kills Brawn, and an enraged Optimus tells him to stop.  Megatron gloats that the "leader of the Autobots" is "begging for an end," which is a particularly Megatron spin on Optimus simply telling him to stop.  

Megatron accuses Optimus' softness of bringing "malaise to our precious home" and pokes out his eye screaming, "Your weakness was the downfall of Cybertron!"  But Optimus doesn't take it lying down and uses his energy axe to cut off Megatron's arm (explaining how it was on the Ark, as we've seen in "Transformers").  He then kicks Megatron out the Ark's open door, and Megatron is barely able to grab onto the Ark with his one good hand.  Starscream sees his chance and shoots Megatron in the eye, hilariously saying, "Shhh...don't worry...rest now."

Megatron falls to Earth where, as we know from "Cobra Commander," Cobra-La found him.  He awakens in the lab in Cobra-la, screaming, "Starscream."  Heh.  The scientists try to shut down Megatron but obviously fail, and he breaks his bonds.  He steps on a scientist and demands to know where his "limbs" are, and the scientist points him to the one they found.  (Megatron must've mellowed, because he lets him live.)  Megatron holds up his shoulder to the limb and it self-heals, which isn't a thing I think we've seen before.

At this point, Golobulus and his troops arrive, and Golobulus tells Megatron he belongs to him.  Megatron is cocky and starts to tear through the soldiers, but Golobulus manages to take out his remaining good eye.  Interestingly, Megatron screams that he isn't only the leader of the Decepticons but also of the "True Way."  Realizing he's losing, Megatron flees Cobra-La.  On a cliff in the mountains outside Cobra-La, he announces, "I am coming for you, Starscream."  I, for one, cannot wait!

Meanwhile, it just keeps getting better as we move onto the "Void Rivals" story.  At a spaceport, Skuxxoid is annoyed that Slizardo is pointing a blaster at him.  He explains that he found the alloy that matched the specifications Slizardo sent him but, after they agreed to meet at the spaceport, the Quintessons took it from him (as seen in "Void Rivals" #6).  He mentions the Quintessons' interest in the fact it was "Zertonian," at which point Hot Rod reveals himself!  You guys!  I cannot explain how stoked I am!

Hot Rod clearly hired Slizardo to find the alloy, and Kirkman does a great job nailing his personality in just this short scene.  ("Hello?  Giant intimidating robot here, remember?")  Hot Rod tells Skuxxoid that he's tracking "an ally of mine who's gone missing" and was "obsessed with an old Cybertroning legend, thinking it would lead him to some way of saving our world."  Skuxxoid gives Hot Rod all the information he has, including the trajectory of the Agorrian and Zertonian when they left.  Hot Rod quips, "Stay out of trouble, kids.  I mean it." and leaves, and Skuxxoid tells Slizardo he's going home to his wife and kids.  Meanwhile, an agent of some sort watches from the shadows.

The "G.I. Joe:  A Real American Hero" story is solid and pretty straight-forward as Duke convinces the Baroness to join his team.  First, he has to convince Hawk, who isn't thrilled.  But Duke reminds Hawk that he wanted them thinking outside the box and notes the Baroness is the only one looking at the box through a sniper sight.  Later, two assailants attack the Baroness, and Duke saves her.  It turns out the assailants were Flint and Lady Jaye and Hawk sent them after her:  apparently, Hawk's reluctance to let Duke "hire" the Baroness was because he wanted her for a different team he's assembling.  And he wonders why he has "trust issues" with Duke!

Geiger #2:  OMG, I'm as over Nate as Geiger is.

The issue begins with Nate feeling guilty over the fact they killed a hog, leaving behind his mate and two piglets.  He tells Geiger about a one-eyed man who counted cards better than anyone at the Camelot and how the king eventually ordered Nate and his men to pluck out the man's remaining eye with a cocktail fork.  Geiger tells Nate that he isn't a priest and doesn't want to talk — they're just heading into Silverton, where the man who was cured allegedly last resided.

In Silverton, the sheriff tells them that the town would happily string up Nate given the torment the Nuclear Knights inflicted on the town.  Instead, the sheriff offers a trade:  if Geiger takes out a masked raider who's been stealing from the town, he'll give him the name of the man who was cured and his last known location and the townsfolk won't kill Nate.  Geiger says he isn't a gun-for-hire, and the sheriff says he'll really let the townsfolk kill Nate.

Geiger takes the deal, which probably sets up a pattern in coming issues, of Geiger as his own "A-Team."  (Nate certainly isn't B.A. or Face.)  Nate is once again prattling as they wait for the raider to arrive that night.  Geiger loses it when Nate says they're heroes, and his powers activate (despite the rods) and set his book on fire.  Geiger reminds Nate that the townsfolk would hang both of them if they had a chance, so it isn't heroism so much as a trade.  Geiger dismisses him as a waste of time, and Nate once again gets all hang-dog, forcing Geiger to feel badly (though grudgingly).

Thankfully, the raider arrives and distracts everyone.  Nate literally weighs down Geiger in the pursuit, but they finally catch the guy in a covered pickup truck where they find he has a wife and three kids.  Geiger spares him (but tells him to stop raiding the town) and gives the cracked mask to the sheriff to get the name:  Ash Arden in Lewistown, Montana.

Later, as Geiger and Nate depart for Montana, the raider tells his wife that Geiger was a gift from god who reminded them to return to the "righteous path."  Horrifyingly, though, the man from last issue appears and electrocutes the guy, demanding the wife tell him where the Glowing Man went before he moves onto the children.  The guy's face is familiar, so I think we know who he is?  I guess we'll see.

Friday, December 6, 2024

Eight-Month-Old Comics!: The April 3 Top-Shelf Edition - Part One a.k.a. "Enter Ghost Machine" (HERE BE SPOILERS!)

The first three "Ghost Machine" issues hit the stands today, the reason I took a dive into the Geiger back catalogue a few weeks ago.  How'd it go?  Let's see!

Geiger #1:  Interestingly enough, Johns doesn't really build too much of a bridge to new readers here, which is a welcome development in my book.  That said, he doesn't make the story inaccessible to them, either.  Instead,Geiger turns a page and leaves Vegas.  Besides Barney, his only reminder of his time there is the former Nuclear Knight from "Ghost Machine" #1, who remains on his trail.  But we'll get there.

A group of toughs arrive in a town that looks like the Old West except for its crooked McDonalds sign.  Henry, the town's elderly mayor, tells the thugs that the town's citizens have given them everything they could.  In response, the lead thug hits Henry in the face with the butt of his shotgun.  He then orders the other thugs to "show them there is no line we won't cross" and screams at them to "hurt the weak" and get the kids.  

As a thug on horseback grabs a kid, the lead thug approaches Geiger, who's sitting on a bench reading "Blood Meridian."  Unwisely, the lead thug knocks it from Geiger's hands.

We then fast forward to the thugs lying in the street, one with Geiger's handprint dramatically burned into his face.  The remaining thug threatens to murder a young boy unless Geiger lets him leave.  Geiger suddenly imagines his son where the boy is and hurls one of his rods straight through the guy's skull.

As the townspeople worry about Geiger getting them sick, Henry goes to talk to him, telling him they didn't realize he was the Glowing Man when he arrived the previous night looking for the library.  Picking up his book, Geiger silently leaves, though we see the smiling Knight watching from behind a post.

At a camp site that night, Barney is acutely displeased with their diet of canned beans, though Geiger tells him that he'll get sick again if he eats anything else, even with his radioactive stomach.  The next morning, the Knight arrives at the abandoned camp site, though it turns out Geiger is still there when he throws the Knight to the ground, telling him to stop following him.  The Knight tells Geiger that he's helping him, that the Army is following him by tracking his rods' radioactive trail and that he blew up some toxic waste to throw the Army off Geiger's trail.

Under pressure from Geiger, the Knight admits that he wants to be a hero like Geiger.  He admits that he terrible things when he worked for the King of Vegas, because he was scared.  You can tell it haunts him, as he tells Geiger that he laughed at the pain of the people smaller than him, people that he hurt.  But he notices that Geiger is never scared.  He watched him stand between the King and two kids Geiger didn't know (in "Geiger (2021)" #6), and the Knight wants to believe that the world is more than toxicity.  "I'm tired of being an awful human being in an awful world."  Fair enough, dude.

Before they can finish, the Army arrives.  They aim a bomb at the pair, and the Knight takes on the soldiers as one of them notes the president didn't tell them to bring in Geiger alive.  Before a soldier can kill the Knight, Barney stops him and Geiger enters the fray.

In the aftermath, the Knight once again (as he did in "Ghost Machine" #1) tells Geiger about rumors of a guy who was cured of the same problem Geiger has.  But Geiger tells the Knight that he *is* the cancer, that "nothing good survives in this world."  

Later, as he braves a strong sand storm, Geiger sees a dandelion amazingly growing in such a harsh environment and remembers his vow renewal ceremony, where his little girl wore a dandelion behind her ear.  (You guys, as a dad, I have a really hard time every time we get a flashback to Geiger's past.)  

He then stumbles upon the Knight, who's taken off his armor, ready to fall on his sword, literally.  Instead Geiger saves him.  The Knight tells Geiger that he made a good point about the pointlessness of the world, so he decided to commit suicide. Geiger tells him that he meant that he should return to Vegas, not commit seppuku.  The Knight tells him that he doesn't have a home and asks why he should wander with no purpose.  Geiger tells the Knight that they might as well try to find this guy who was cured, and the Knight introduces himself as Nate.

The issue ends with a man in an Army jeep examining the dandelion and then using powers to electrocute it, announcing, "I'm close."  Dun-dun-DUN!

Redcoat #1:  As opposed to "Geiger," we haven't really had a deep dive into Simon, so Johns delivers one to us here.  It's, ah, not a pretty picture.

We begin with John Hancock using "magicks of the Founding Fathers" to rescue Paul Revere from some Redcoats and then segue to Simon fleeing U.S. troops in Trenton on Christmas Day, 1776.  Simon notes the British government paid most soldiers to be there and, ironically, the British officers paid the government to be there.  In other words, it isn't the most inspired team.

Simon manages to escape the pursuing soldiers and spends the night in a church's loft.  Around midnight, he awakens to voices in the sanctuary.  Below him, Benjamin Franklin lies naked on a stone tablet (yeah, it's an image) with six red-hooded, robed men surrounding him.  One of the men warns Ben of the consequences if he isn't found worthy, and Ben accepts them.  As the Grand Architect hoists a ram's skull and begins the spell, Simon falls from the loft.  He's hit with blue light from the skull, and one of the men tells the other men to leave as he recognizes Simon isn't worthy.  The church then explodes, and Simon informs us that he woke up the next morning and left.

In 1892, Simon awakens again, this time with three men at the door of the room he's renting at an inn, seeking vengeance for killing family and friends.  He flees to a pub where he begs his ex-girlfriend, Betsy (Ross?) to help him, but she lights a lantern in the window to alert the men he's there since they offered to pay off Simon's (fairly large) tab.  They succeed in killing him.  Later, a young Albert Einstein (yes) awakens Simon while exhuming him.  Einstein is thrilled to find him, because he needs help to stop a Great Evil.  But a group of red-robed men appear before he can explain more.

I'm not sure I'm going to hang in there all the way with "Redcoat."  Simon is funny, but he's remarkably unlikeable.  But the premise is intriguing, particularly since Einstein's "Great Evil" is clearly the one mentioned in the Unnamed timeline that comes at the end of each issue.  So I'll hang in here a while to see where Johns goes.

Rook:  Exodus #1:  Holy shit, this issue!

Our introduction to Rook and Exodus came in "Ghost Machine" #1, where Johns walked us through the status quo on the eve of the War of the Wardens.  This issue goes well beyond an introduction, giving us a world-building tour de force.

In 2152, the Better-World Corporation purchased Planet "F" in the Kepler system, renaming it Exodus the following year and colonizing it in 2159.  The Earth Engine failed in 2170, though, prompting evacuations in 2171.  As we saw in "Ghost Machine" #1, Rook is working on a rocket to escape Exodus and is trying to convince the only other Warden he trusts, Swine, to come with him.

One thing I didn't quite realize - and I'm thrilled to see - is how dystopian of a story Johns and Fabok are telling.  Initially, I thought Exodus was just a world providing agricultural resources to Earth, so Better-World didn't bother coming to save its workers there.  Instead, it's clear that Rook and his companions were providing these resources to the wealthy people who fled "pollution, poverty, or overpopulation" on Earth for Exodus.  Once they evacuated the (paying) residents, Better-World promised to return for the employees...and didn't.  I thought it was bad; it's even worse (or 2024, take your pick).

Three years after the Engine failed, in 2173, Rook begins his narration.  The issue begins with a rocket blasting into space and exploding, and Rook exposited that his best guess is that only 1-in-50 rockets manage to leave the atmosphere.  It doesn't stop the parade of ships "made from scrap metal and super glue" trying to make it.  Rook explains that no one knows why the Engine stopped working, but, now that it has, Exodus' climate is reverting and the water is disappearing.

Rook's activity begins at the crash site, and he taps into his helmet's neural network to contact Swine for help looking for spare parts.  When Rook reaches him, Swine tells Rook that he's several days away, looting a ship with booze that "Pumba" (clearly his favorite hog) found.  Rook is frustrated, because he needs the pigs to find the parts he needs.  Rook then realizes the rocket's pilot, called a Weatherman, survived, though he's impaled on a stake.  Though Weathermen looked down on Wardens, Rook tries to help him by giving him his last pack of painkillers, a sign that this place hasn't stripped Rook of his humanity even if he's tough.  Instead, the pilot hands him a manila envelope and tells Rook, "Don't let them burn."  The pilot dies, and Rook has to tell the crows not to eat him.  We hear of "instinct influence"for the first time here, which is the unplanned phenomenon whereby the creatures's (here, the crows') desires push into the Warden's mind (instead of vice versa).  

Suddenly, an enormous bear arrives on the scene and attacks Rook.  He exposits that, once the Engine went offline, the predators started to grow larger.  Was it a genetic mutation that the artificial water caused?  Was it an "imperceptible difference in planet size compared to Earth"?  No one knew (again).  At any rate, Rook takes on the bear as the crows hilariously encourage him to fly to safety.  He manages to get the crows to attack the bear, piercing its eye and sending it running.  

Rook buries the pilot (before the birds can eat the corpse) and enters his vehicle, which looks like the Tumbler from "Batman Begins."  (It's an apt comparison because, when we later see his face, Rook looks a lot like Bruce Wayne.)  Rook picks up a flopping fish in a drying river bed and then heads to a dilapidated dome.  Rook exposits that New Mason had a population of 800,000 people with every amenity a family could want, but, as he enters the destroyed city, it's now just him.  As he arrives at the rocket he's building, he exposits that it'll soon be no one.

At home, Rook takes off his helmet to get a break from the birds, and we see his handsome, scarred face.  He roasts the fish but unfortunately finishes off his booze, the only thing that really quiets the birds' voices.  He heads into one of the city's various bird-named apartment buildings in search of supplies.  He walks down a hall of doors marked with Xs (323, 325,...) and enters 333.  

Upon taking its booze, he crosses off the door and heads to the movie theater, which we previously heard the automated voice advertise.  ("And don't fuh-fuh-forget it's family muh-movie night in the entertainment district!"). After the movie ends, he opens the envelope the pilot handed him, where he finds a photo of the man and his family.  Rook wonders if the man's family was still on Exodus or if they ever came to Exodus in the first place.  He puts away the photo.

We watch days, maybe weeks pass, as the birds' voices in his head get louder and he makes his way to door 811.  Meanwhile, the riverbed where he was getting fish is dry, and he exposits that the crows, who are also hungry, are loyal only to the helmet.

Later, Swine and his pigs arrive.  Swine notes how rough Rook looks, and Rook is pissed, explaining that it's harder for him to find parts now that he needs specific ones.  (Previously, he needed everything so could find them on his own.)  Ominously, Swine observes that his poorly behaved pigs are getting harder to control when they're hungry.  Swine comments that there's something wrong with the neural network, like something is interfering with it.  Rook thinks that it's the failing planet and tells Swine that he can't just wander for supplies in their waning days.  Swine then reemphasizes that he's not leaving Exodus and his drift.  Rook calls him a fool, that the pigs'll turn on him once the helmet fails, but agrees to put aside the worry and get drunk with Swine like they did in training.

That night, Rook comes home drunk and works on the rocket, falling to the ground.  He recalls his childhood in 2148 Bloomington, Illinois, working on his family's farm.  He proudly builds a scarecrow only for some crows to perch on it.  He then watches in amazement as a fleet of spaceships speed into the sky.  Inside, Rook's father watches TV, and the reporters provide a litany of crises:  the West Coast is uninhabitable after wild fires, the New Madrid fault line has its strongest earthquake in centuries, homelessness has hit 33 percent, a media blackout obscures a pandemic in New Pyongyang, Alexandria is flooded, and the Bank of England has collapsed.  They then watch an ad for Better-World, and Rook asks his dad what it all means.  His (hot AF) dad tells him that everyone who can is leaving, but they're not "running away."

Fifteen years later, Rook finds the farm in flames.  Later, an adjustor tells him that his father deliberately set the fire, but Rook refutes that.  The adjustor notes the land'll make an optimal port and, for the right commission, he won't report it as arson.  It's pretty clear Better-World set the fire, but Rook has little choice to accept its compensation offer to put him to the top of the relocation line.  As he boards the ship for the 13+ month trip to Exodus, Rook sees a homeless man with a child next to him with a sign that says, "Don't forget us."  Oof.

In the present, a crow awakens him, and Rook decides they need to leave today.  He looks for Swine only to find some of his hogs eviscerated.  We then see Swine fleeing with Pumba and the rest of the drift from a group of the super-sized bears.  A bear smashes Swine into the ground, and, as Swine reaches for his rifle, a voice tells him that his spine is broken.  A hand then rips off his mask, and an enormous Warden - presumably the Ursaw of next issue's title - says, "And your skull crushed."

You guys, this series is 100% going to become a movie franchise, and we're all going to be thankful for it.  I love everything about it.  The characters are great, the world-building spectacular, the vibe pressing.  I can't recommend it enough.